Professional XR LED Display Manufacturer

The New Standard for “Final Pixel” Virtual Production.

Eliminate the “Green Screen Tax” and stop fixing it in post. DisplayMan’s XR Series delivers a high-performance 7680Hz refresh rate and 22bit+ fine grayscale to ensure artifact-free, cinematic results directly in-camera. Experience Hollywood-grade immersion with Manufacturer-Direct ROI.

What is an XR LED Display?

XR LED Displays (Extended Reality) are the foundational hardware technology for modern Virtual Production. By utilizing LED walls with ultra-high refresh rates and professional-grade color fidelity, this technology replaces traditional green screens to provide an immersive, real-time rendered environment for film production, live broadcasting, and corporate product launches.

Core Principles of XR LED Displays:

Integrated XR Ecosystem: XR (Extended Reality) serves as the collective term for the integration of VR (Virtual Reality), AR (Augmented Reality), and MR (Mixed Reality). In an XR studio, talent performs within a physical LED volume comprised of floor panels and curved background walls. The camera captures a live 3D environment rendered by engines like Unreal Engine, rather than a void of green.
Real-Time Spatial Interaction: The digital landscape is not static. Through precise camera tracking, the background perspective shifts instantly as the camera moves. This creates a mathematically accurate Parallax Effect, ensuring the digital depth-of-field behaves exactly like a physical location.
Natural Lighting & Reflections: Because the LED wall is self-emissive, it functions as the primary light source for the scene. It naturally projects the colors and shadows of the virtual environment onto the talent and props. This solves the most difficult challenges of the green screen era: “color spill” and unnatural lighting, achieving seamless integration between the physical and digital worlds.

The “Kill the Green Screen” Reality

While traditional chroma keying (green screen) has been the industry standard for decades, it introduces “hidden costs” and technical limitations that disappear with DisplayMan XR technology.

Feature	Traditional Green Screen (VFX)	DisplayMan XR LED Volume (ICVFX)
Talent Interaction	Actors perform in an empty green room; “imagination” is required.	Actors are fully immersed in a live 3D digital environment.
Lighting & Reflections	Lighting is artificial; “green spill” must be removed in post-production.	The LED wall provides natural, interactive lighting and realistic reflections.
Post-Production	Backgrounds are added months later; errors often require expensive reshoots.	“Final Pixel” results are captured in-camera; what you see is what you get.
Camera Freedom	Limited movement to avoid tracking markers or edge-of-screen issues.	Full 3D perspective shift; backgrounds move perfectly with camera tracking.
Review & Iteration	Directors wait weeks for “dailies” to see the composite shot.	Instant review on-set; backgrounds can be changed or moved in seconds.
Production Speed	Slow; requires extensive rotoscoping and complex color grading.	Fast; significantly reduces post-production timelines and costs.

The Anti-Artifact Shield (Core Technical Solving)

Eliminate Production Killers: Engineering That Defeats the Lens.In professional virtual production, what the eye sees is irrelevant—only what the camera captures matters. DisplayMan XR series is built to eliminate the technical artifacts that ruin high-stakes shoots.

1. 7680Hz Ultra-High Refresh Rate: No More Scanning Lines

Traditional LED displays often produce rolling black lines or flickering when filmed, especially at high shutter speeds.

Solution: Our XR-P1.95 and P2.6 series feature a visual refresh rate of ≥ 7680Hz.
The Result: This ensures that even at a 1/1000 shutter speed, the camera captures a solid, stable image with zero scanning artifacts.

2. Full Genlock Support: Perfect Frame Synchronization

Frame-lag or “tearing” occurs when the LED wall and the camera shutter are out of sync.

The Solution: DisplayMan control systems fully support Genlock (Generator Lock).
The Result: This forces the LED display, the video source (Unreal Engine), and the camera to refresh at the exact same micro-second, providing perfect frame-to-frame alignment for high-speed action shots.

3. Low Scan Rate (<= 1/16): Maximum Image Stability

High scan rates can cause ghosting and reduced brightness, which become visible as digital noise on professional sensors.

The Solution: We utilize 1/16 dynamic scanning drives (and recommend static or even lower scan rates for cinema-grade volumes).
The Result: This technical architecture maximizes the light-on time of each pixel, ensuring the highest possible stability and brightness consistency for the lens.

4. Moiré-Reducing Optical Masking

Moiré patterns—the “rainbow” interference seen when filming small pixel pitches—are a primary concern for directors.

The Solution: Our cabinets utilize a specialized matte-finish mask and SMD1515/SMD1010 chips with minimized spacing.
The Result: This diffuses the light slightly at the pixel level, allowing cameras to get closer to the screen without triggering interference patterns.

The Color Fidelity Engine

Cinematic Depth in Every Pixel: Mastering the Science of Color. For professional cinematographers, a screen’s quality is defined by its ability to reproduce natural skin tones and deep, noiseless shadows. DisplayMan’s XR series is engineered to meet the strict color-critical standards of high-end film production.

Color Performance Specifications:

Grayscale: 16-bit standard, supporting up to 22-bit+ fine grayscale.
Contrast Ratio: High-contrast 5000:1 for deep blacks.
Color Temperature: Fully adjustable from 2000K to 9500K to match any studio lighting setup

1. 22bit+ Fine Grayscale: Shadow Detail Without Compromise

Standard LED displays often struggle with “banding” or “contouring” in dark gradients, which looks amateurish on camera.

The Solution: Our specialized driver ICs support 22bit+ fine grayscale processing.
The Result: This provides incredibly smooth transitions in low-light scenes, ensuring that shadows maintain their depth and texture without digital artifacts.

2. Precision Color Calibration (Delta E < 4)

Inconsistent colors across an LED wall can break the illusion of a virtual environment.

• The Solution: Every DisplayMan XR panel undergoes rigorous per-pixel calibration to ensure 0–255 brightness levels strictly follow the EOTF curve.

• The Result: We guarantee a color accuracy of Delta E < 4, ensuring that the digital background perfectly matches the physical props and talent on stage.

3. DCI-P3 Color Gamut Coverage

To be “film-ready,” a display must be able to reproduce the wide range of colors used in modern cinema.

The Solution: We select premium RGB LED chips (SMD1515 for P2.6 and SMD1010 for P1.95) that are tested for wavelength consistency (Red: 622nm, Green: 523nm, Blue: 470nm).
The Result: Our screens accurately cover the professional DCI-P3 color space, allowing directors to grade their footage with total confidence.

4. Wide-Angle Color Consistency (140°/140°)

A common “production killer” is color shifting when the camera moves to a sharp angle.

The Solution: Using specialized mask designs and ultra-small LED chip spacing, we maintain color uniformity across a 140° horizontal and vertical viewing range.
The Result: Whether you are shooting a wide panoramic or a tight-angle crane shot, the colors remain stable and consistent across the entire volume.

Architectural Showcase (The XR System Flow)

A Seamless Ecosystem: From Engine to Lens.An XR volume is more than an LED wall; it is a synchronized digital engine. DisplayMan’s architecture is designed for low-latency communication between the rendering engine, the tracking system, and the display hardware to ensure “Final Pixel” accuracy.

1. The Brain: Video Motion Rendering Engine

The heart of the system is the Rendering Engine (such as Unreal Engine), which generates the 3D environment in real-time.

Real-time Output: Digital content is rendered dynamically based on the camera’s position.
Perspective Correct: As the camera moves, the background perspective shifts instantly on the LED wall.

2. The Nervous System: Camera Tracking & Media Servers

To bridge the physical and digital worlds, the system requires millisecond-accurate positioning.

Precision Tracking: High-end tracking systems (like Mo-Sys or tracking jibs) feed the camera’s X, Y, Z coordinates and lens data back to the server.
AR Functional Media Server: Specialized servers (like Disguise or Brompton) act as the hub, merging the 3D environment with the live camera feed.

3. The Heart: LED Display Control System

DisplayMan utilizes industry-leading NovaStar control systems to distribute the massive data loads required for 8K and 5G workflows.

NovaStar Control: Ensures stable signal transmission via A8 or CX80 controllers.
Signal Sync: Support for Genlock and HFR (High Frame Rate) ensures the display refreshes in perfect harmony with the camera shutter.

4. The Physical Volume: Wall, Floor, and Ceiling

The final output is realized across a multi-surface LED environment.

LED Floor: Provides ground-plane reflections and interactive lighting for talent.
Skymaster (Ceiling): Acts as a massive, controllable light source to provide realistic ambient illumination.

Visual Logic: The System Architecture

Component	Role	DisplayMan Advantage
Rendering Engine	Content Creation	Optimized for Unreal Engine & Unity. High-fidelity real-time rendering.
Media Server	Signal Processing	Seamless integration with gx series servers. Stable, low-latency performance.
Control System	LED Management	8K Ultra-HD 5G bandwidth solutions. Industry-leading data throughput.
Tracking System	Motion Capture	Compatible with mechanical arms & infrared tracking. Precision-engineered for XR/AR.

The "Any-Angle" Promise (Mask & Optics)

Consistent Color from Every Vantage Point.

The Challenge: Off-Axis Color Shift

In virtual production, moving the camera to a wide angle often causes the LED wall to shift in color or lose brightness, breaking the immersion of the 3D environment.

The Solution: Advanced Optical Engineering

DisplayMan XR displays are engineered to maintain visual integrity during complex camera movements, such as sweeping crane shots or low-angle pans.

1.140°/140° Ultra-Wide Viewing Angle:

Both the XR-P1.95 and XP-P2.6 models provide a consistent 140° horizontal and vertical viewing range. This extreme viewing angle ensures that the background remains stable for the camera sensor during wide-angle crane shots or low-angle pans, effectively solving the brightness attenuation common in traditional screens.

2.Specialized Mask Design:

Our custom-designed PV masks are precision-engineered with optical optimizations to significantly reduce internal reflections. This specialized design prevents the “color block” effect or color shifting common in standard displays at sharp angles, ensuring the visual immersion of the virtual environment remains unbroken.

3.Minimized LED Chip Spacing:

By utilizing high-quality, smaller-sized RGB chips (SMD1010 for P1.95 and SMD1515 for P2.6) combined with extremely precise mounting processes, we ensure high consistency between pixels. This minimized chip layout guarantees uniform light output across the entire surface of the volume, maintaining delicate image quality even during close-up shots.

4.Rapid RGB Ratio Calibration:

Our control systems support real-time, rapid fine-tuning of RGB ratios to address potential color deviations at extreme camera positions. This flexible calibration mechanism ensures that specific camera angles maintain perfect color accuracy during live broadcasts or film shoots, achieving true “what you see is what you get” performance.

The Result: Total Cinematographic Freedom

Directors can move the camera freely throughout the XR volume, confident that the digital environment will look as consistent at the edges as it does in the center.

Scalable Solutions: 1G vs. 5G Architecture

Scalable Infrastructure for Any Production Volume.

The Challenge: Balancing Bandwidth and Scale Every virtual production stage has different data requirements. A small corporate studio and a massive cinematic volume require different signal architectures to manage high-resolution content without latency.

The Solution: Flexible Signal Chains DisplayMan offers two distinct architectural tiers to ensure your hardware perfectly matches your studio’s scale and resolution needs.

Small/Medium Scenes: 1G Bandwidth Solutions
- Controller: Powered by the Mctrl4K controller.
- Capacity: Utilizes standard 1G Ethernet ports to distribute stable 4K signals.
- Best For: Independent creators, corporate broadcast studios, and educational labs where a single 4K signal chain covers the necessary LED pixel count.
- Advantage: Cost-effective, reliable, and compatible with standard high-definition XR workflows.

Large-Scale Volumes: 5G / 8K Cinema Solutions
- Controller: Powered by the state-of-the-art CX80 flagship controller.
- Capacity: High-bandwidth 5G throughput allows for 8K @ 60Hz resolution across massive surface areas.
- Best For: Professional film sets, large-scale virtual events, and massive immersive “Volumes” that require hundreds of LED panels to act as a single, seamless canvas.
- Advantage: Significantly reduces the amount of cabling and hardware nodes required, increasing system stability and reducing the potential for signal failure in high-stakes environments.

The Result: Optimized Performance Whether you are building a boutique studio or a world-class film stage, our scalable architecture ensures your system has the bandwidth to handle “Final Pixel” rendering with zero lag.

Why Choose DisplayMan as your Manufacturer

Cinematic Performance. Industrial Reliability. Factory Economics.

By eliminating the “brand-tax” markup of Tier-1 competitors, DisplayMan allows studios to reallocate their budget toward higher-quality rendering hardware while maintaining elite “Final Pixel” screen specifications.

Direct-from-Factory Pricing: Access professional-grade XR hardware—including >=7680Hz refresh rates and 22bit+ grayscale—without the middleman overhead. This significantly lowers your initial CapEx compared to retail-focused brands.

7x24hr Continuous Operation: Engineered for the grueling schedules of film and broadcast sets. High-efficiency 4.5V/5V 40A power supplies ensure the system remains stable during long-form production.

Precision Thermal Management: Our low-heat circuit architecture limits the temperature rise to <= 5°C during active operation. This thermal stability prevents color drifting and extends the lifespan of the LED gold-wire bonds.

IP5X Dust-Proof Protection: Specifically designed for studio environments to prevent dust ingress from affecting internal electronics, ensuring long-term pixel reliability.

Front-Serviceable Magnetic Modules: Minimize costly downtime. Individual modules can be replaced from the front of the wall in seconds, keeping your production on schedule.

Direct Engineering Support: Skip third-party help desks. Gain direct access to the factory team for system calibration, 5G signal optimization, and rapid parts replacement.

Series Specifications (P1.95 vs. P2.6)

This section provides the data required for technical directors and studio engineers to validate DisplayMan hardware for professional virtual production workflows. Both the XR-P1.95 and XP-P2.6 series are built on the same high-stability architecture, differing only in pixel density to suit your specific camera-to-wall distance requirements.

Technical Comparison

Feature	XR-P1.95 (Cinematic Detail)	XP-P2.6 (High-Value Volume)
Pixel Pitch	1.953mm	2.604mm
Pixel Density	262,144 dots/m²	147,456 dots/m²
Module Resolution	128 x 128 pixels	96 x 96 pixels
Cabinet Resolution	256 x 256 pixels	192 x 192 pixels
Brightness	1000–1200 cd/m²	1000–1200 cd/m²
Visual Refresh Rate	≥ 7680Hz	≥ 7680Hz
Drive Mode	1/16 Dynamic Scanning	1/16 Dynamic Scanning
Grayscale	22bit+ Fine Grayscale	22bit+ Fine Grayscale
Cabinet Material	Die-cast Aluminum	Die-cast Aluminum
Cabinet Weight	7.2kg	7.2kg
IP Rating	IP5X (Dust-proof)	IP5X (Dust-proof)
Maintenance	Front-Service Magnetic	Front-Service Magnetic

Technical Notes for Engineers

• Pixel Density Advantage: The XR-P1.95 offers a 77% higher pixel density than the P2.6, allowing for closer camera proximity (Moiré-free) in smaller studio environments.

• Structural Consistency: Both models utilize the same 7.2kg die-cast aluminum frame, allowing them to be mixed in the same volume (e.g., P1.95 for the main wall and P2.6 for the ceiling) while maintaining structural alignment.

• Luminance & HDR: With a sustained brightness of 1000–1200 cd/m², both series provide the high dynamic range (HDR) overhead required for realistic lighting reflections on physical talent and props.

F.A.Q.

How do you prevent Moiré patterns during tight close-up shots?

Moiré is caused when the camera sensor “sees” the gap between LED pixels. We combat this using high-density P1.95 pixel pitching, which moves the “Moiré-free” safety zone much closer to the wall. Additionally, our specialized optical matte masks diffuse light at the pixel level, softening the grid lines and allowing the sensor to capture a smooth, continuous image even at shallow depths of field.

Is the LED floor fully synchronized with the wall for seamless reflections?

Yes. For a professional XR Volume, the floor and wall must behave as a single, unified canvas. Our system uses a master Genlock signal architecture to ensure that the floor’s refresh cycle and frame delay perfectly match the wall. This prevents “spatial drift,” ensuring that an actor’s digital reflection or shadow never lags behind their physical movement.

What is the average setup time for a standard studio volume?

On a film set, time is the most expensive variable. Our 500x500mm die-cast aluminum cabinets weigh only 7.2kg and feature a professional Fast-Lock mechanism for tool-free alignment. A standard 10m x 4m volume can typically be mechanically assembled and signal-tested by a 4-person crew in under 6 hours, moving you from “load-in” to “first shot” in a single shift.

How does your XR series handle "Final Pixel" color depth in dark scenes?

Lower-quality LED walls often “crush” blacks, losing detail in shadows. Our XR displays utilize 22bit+ Fine Grayscale processing. This provides the high dynamic range (HDR) overhead required for the camera to see into the shadows of your virtual environment, maintaining cinematic texture and realistic light wraps on your talent.

Does the screen support high-speed or slow-motion filming?

Absolutely. Thanks to our >= 7680Hz refresh rate and Low Scan (<= 1/8) architecture, the image remains perfectly stable. This eliminates “rolling black bars” or flickering, even when the camera is shooting at high frame rates (e.g., 120fps) or extreme shutter speeds.